Saint Simeon’s Column outside Aleppo. Copyright 2009 Peter Aaron
Talk about inspired real-estate staging! There are a number of examples of commercial interests and brilliant artistic talent combining to create works—or the display of works –that have great cultural impact: The first two Godfather movies come to mind, a big Broadway show like The Lion King perhaps, not to mention nearly every good movie every Hollywood studio ever made. In Hudson, it took the need to rent out the beautiful ground floor space at 555 Warren Street, owned by Mark McDonald and formerly the locale of McDonald’s own store and then NP Trent, which just closed its doors, to come up with the ad hoc exhibition Under Siege: Monuments of Syria, a show of epic and now painfully relevant photographs by Peter Aaron and Lynn Davis. They were taken in 2009, before the civil war in that besieged nation – and the destruction or severe damage of many of said monuments. (Aaron has arranged a “before and after” display on a table in the center of the room, the “after” shots taken from other sources.)
The Aaron photographs, which are both black and white and in color, were recently on display in ArtSpace in Germantown; here, instead of being spread out over a couple of rooms next to a veterinary office, they fill out one side and the center of the grandly cavernous space in one of Hudson’s best buildings, whose walls have been painted an elegant medium tinted gray by the sponsor of the event, HOUSE Hudson Valley Realty’s James Male, beautifully offsetting Aarons’ and Davis’ images of the surprisingly photogenic nation. (“I got a great reaction to the show in Germantown, despite it being in a defunct shopping mall next to the dump,” Aaron says.) Davis’ hugely sized timeless black and white photographs of the Roman ruins of Syria are, as always, monuments in and of themselves; four of them more than adequately fill the wall opposite the one devoted to Aarons’ work.
The show will be open September 27-28 and October 4-5, from noon to 5 p.m, with an artists’ reception on October 4 from 5 to 8 p.m. –Scott Baldinger